Michael Washburn is the author of Southern Accents, a 33 1/3 Series book which explores a Tom Petty and the Heartbreakers album of the same name. Released in 1985, the concept album was intended to be a musical immersion into the American South. Released well after the band had notched hits like “American Girl” and... Continue Reading →
There is little doubt that Bohemian Rhapsody was one of the surprise box office hits of 2018. Maybe the biggest. The more unexpected feat from the Freddie Mercury biopic is its substantial award season buzz. Not only has it won Best Drama at the Golden Globes, but it was nominated for Best Picture at the Academy Awards - which is hard to believe, because Bohemian Rhapsody is a bad movie.
2019 is not Netflix’s first dance with the Academy Awards, but it is the company's most significant year at the Oscars. The streaming service is up for 15 nominations in some of the industry’s most important categories.
When I left a screening of Creed 2 last week, I was thinking about the boxing movie's surprisingly layered story and did not expect to become immediately interested in another artistic endeavor. The catchy beats of Milo Greene’s “Move” were hard to miss when I started the car, even if it was just for the few notes.
Christine and the Queens are an emerging act who are flirting with international superstardom. When I saw that the French group was coming to WXPN’s Free At Noon, I jumped at the chance to catch them at the University of Pennsylvania’s intimate World Café.
Cover albums are often anti-climatic. Ten-ish artists are randomly thrown onto a record honoring a classic achievement or artist. Usually only one or two songs are worth the cost or time. One cover album that defies this norm is AHK-toong BAY-bi.